Bijou Apparel

Designed to fit Hoover canister vacuums using type S bags, these allergen bags are ideal for many allergy sufferers. The bags contain electrostatically charged liners to help capture extremely fine particles. They are 100% effective at trapping dust mites and eggs, 99.98% effective at trapping common grass pollens, and also highly effective at trapping cat dander, molds, mold spores, and other particles. The Hoover vacuums these bags fit include Futura, PowerMAX, WindTunnel, and TurboPower 2000, 5000, 6000, and 7000 series. --Fred Brack

Hoover 4010100S Type S Allergen Filter bag fits Futura, Spectrum, Windtunnel and Constellation canisters.

Quantity Per Package: 12 vacuum bags OEM Part Number: MC-V145MT Fits Models: MC ,MCV 6200,6300,6600,6800,6900 ,7300 series,MC-V 6405

Panasonic bags for canister vacuum cleaner MC-3900 Series -5pk. Type C-13.

The Carolina Chocolate Drops are as much about revelation as revival. On its Nonesuch debut, Genuine Negro Jig, the trio brings exuberance, humor, virtuosity and an infectious acoustic groove to its exploration of a near-forgotten brand of banjo-driven string-band music originating more than a century ago in the foothills of North Carolina, the Piedmont region where band members Rhiannon Giddens and Justin Robinson were raised. In this rural area, musicians, both black and white, once shared and swapped tunes. Over the decades, the importance of the African-American role in string-band music was diminished, its sound and significanceco-opted by minstrel shows and segregated by record labels. CCD -- under the tutelage of nonagenarian fiddler player Joe Thompson, one of the last surviving Piedmont musicians - have reclaimed the old-time songs, making them vital and fresh for right now, reasserting in the process the African roots of the banjo.The Carolina Chocolate Drops have won over crowds at the Newport Folk Festival, on such National Public Radio shows as Mountain Stage and A Prairie Home Companion, and on tours through Europe. Denzel Washington personally selected the trio to appear in his critically acclaimed 2007 directorial effort, The Great Debaters. In a review of a CCD Kennedy Center performance, The Washington Post declared, 'Their set was anything but academic... these instrument-swapping residents of Durham, N.C., kept the audience active with speedy strumming, jug-blowing and percussion via carvedhand-held bones and foot-banging syncopation.' The Boston Globe concurred: 'The acoustic trio - banjo, fiddle, guitar - managed the minor miracle of evoking a sepia- drenched era of mountain music... Giddens, Robinson and Dom Flemons, all multi- instrumentalists and vocalists, conveyed their deep knowledge with a sense of reverence and studied antiquity- including their simple, era-appropriate costumes - and a contagious, abundant joy.'After two self-recorded independent releases, CCD chose to work with producer Joe Henry on Genuine Negro Jig. As with his production on Allen Toussaint's The Bright Mississippi, Henry emphasizes simplicity, clarity, interaction; with its striking lack of studio frills, the emphasis is on the spirit of these performances, which are often as intense as they are exhilarating.Uptempo numbers like live-show favorite 'Cornbread and Butterbeans' and 'Sandy Boys' are immediate standouts, though slow-burning, moody tracks like 'Kissin' and Cussin' and 'Snowden's Jig (Genuine Negro Jig)' prove to bedownright haunting. The versatile Giddens performs the Celtic-style balladry of 'Reynadine' acapella; she's equally convincing taking lead on a brilliant recasting of the 2001 Blu Cantrell R&B-dance hit, 'Hit Em Up Style' Genuine Negro Jig starts out with the specific but winds up with the universal; this is music that has literally traveled continents and centuries to achieve a brand new relevance, a shared history still in the making.

The Carolina Chocolate Drops are as much about revelation as revival. On its Nonesuch debut, Genuine Negro Jig, the trio brings exuberance, humor, virtuosity and an infectious acoustic groove to its exploration of a near-forgotten brand of banjo-driven string-band music originating more than a century ago in the foothills of North Carolina, the Piedmont region where band members Rhiannon Giddens and Justin Robinson were raised. In this rural area, musicians, both black and white, once shared and swapped tunes. Over the decades, the importance of the African-American role in string-band music was diminished, its sound and significanceco-opted by minstrel shows and segregated by record labels. CCD -- under the tutelage of nonagenarian fiddler player Joe Thompson, one of the last surviving Piedmont musicians - have reclaimed the old-time songs, making them vital and fresh for right now, reasserting in the process the African roots of the banjo.The Carolina Chocolate Drops have won over crowds at the Newport Folk Festival, on such National Public Radio shows as Mountain Stage and A Prairie Home Companion, and on tours through Europe. Denzel Washington personally selected the trio to appear in his critically acclaimed 2007 directorial effort, The Great Debaters. In a review of a CCD Kennedy Center performance, The Washington Post declared, 'Their set was anything but academic... these instrument-swapping residents of Durham, N.C., kept the audience active with speedy strumming, jug-blowing and percussion via carvedhand-held bones and foot-banging syncopation.' The Boston Globe concurred: 'The acoustic trio - banjo, fiddle, guitar - managed the minor miracle of evoking a sepia- drenched era of mountain music... Giddens, Robinson and Dom Flemons, all multi- instrumentalists and vocalists, conveyed their deep knowledge with a sense of reverence and studied antiquity- including their simple, era-appropriate costumes - and a contagious, abundant joy.'After two self-recorded independent releases, CCD chose to work with producer Joe Henry on Genuine Negro Jig. As with his production on Allen Toussaint's The Bright Mississippi, Henry emphasizes simplicity, clarity, interaction; with its striking lack of studio frills, the emphasis is on the spirit of these performances, which are often as intense as they are exhilarating.Uptempo numbers like live-show favorite 'Cornbread and Butterbeans' and 'Sandy Boys' are immediate standouts, though slow-burning, moody tracks like 'Kissin' and Cussin' and 'Snowden's Jig (Genuine Negro Jig)' prove to bedownright haunting. The versatile Giddens performs the Celtic-style balladry of 'Reynadine' acapella; she's equally convincing taking lead on a brilliant recasting of the 2001 Blu Cantrell R&B-dance hit, 'Hit Em Up Style' Genuine Negro Jig starts out with the specific but winds up with the universal; this is music that has literally traveled continents and centuries to achieve a brand new relevance, a shared history still in the making.

This CD offers high-grade bar-band music, nothing more and nothing less. And while Delbert McClinton occasionally approaches the shadow of the greatness of Jerry Lee Lewis on this collection of mildly countrified bluesy rock from the mid to late 1960s, flashes of originality and spark are few and far between. That said, these are credible renditions of such tasty boomer-centric fare as "Blue Monday," "Before You Accuse Me," "Have Mercy," Turn on Your Love Light," and "Spoonful." --Mike McGonigal

This item fits following models: (1) Dewalt 2832K(Cordless Saws). (2) Dewalt 2800 Series: 2802K, 2812B, 2812K, 2852B, 2861K-2, 2872B, 2872K-2, 2872KQ, 2898B, 2898K. (3) Dewalt DC Series: DC528 (Flash light), DC540, DC540K, DC542, DC542K, DC612KA, DC614KA, DC727KA, DC727KA-AR, DC727KA-B2, DC727VA, DC740K-2, DC740KA, DC742KA, DC742VA, DC756KA,DC756KB, DC840KA, DC841KA,DC845KA, DC940KA, DC945KB, DC980KA, DC980KB, DC981KA, DC981KB, DCD910KX, DCDK12. (4) Dewalt DW Series: DW051K, DW051K-2, DW052K, DW052K-2, DW052K2H, DW052Z, DW053K, DW053K-2, DW053K2H, DW904(Flash Light), DW907K-2, DW907K2H, DW907Z, DW912, DW915 (Flash Light), DW917 (Flash light), DW924K2AR, DW924K2B2, DW924K2B3, DW924K2BR, DW924K-B2, DW924K-B3, DW927K-2, DW927K2, DW927KV-2, DW930, DW930K, DW940K, DW940K-2, DW953, DW953K, DW953K-2, DW953KF-2, DW953KS-2, DW953KV-2, DW953RFK2, DW965, DW965K, DW965K-2, DW968K-2, DW970, DW971K-2, DW972, DW972B, DW972K, DW972K-2, DW972KQ-2, DW972KS-2, DW972RLK2, DW974K, DW974K-2, DW974KQ, DW975B, DW975K, DW976K, DW977B, DW977K, DW979, DW979K, DW979K-2, DW979K2-BR, DW980, DW980K-2, DW981, DW981KD-2, DW981KF-2, DW981KQ. Compatible Part Numbers: 152250-27, 397745-01, DC9071, DE9037, DE9071, DE9074, DE9075, DW9071, DW9072

Store, protect, and carry the Apple iPad with this CaseCrown Genuine Leather Flip iPad Case. This is the best carrying solution as it provides optimal utility and style. Slide your iPad easily into the framed carrying slot for form fitting protection. You can still access all of the iPad's features even while it's still installed in this case, including charging! The case is made from premium genuine leather to provide durable protection from scratches, dust, and fingerprints and also a great aesthetic! There's an interior elastic band that has slots to carry cards, ids, and papers to hold it in place during travel. This is the only carrying solution for your iPad!