Bijou Apparel

Designed for kids ages 3-5, the mini is the quality choice in children's scooters. In 2009, the mini was recognized by the prestigious Oppenheim Toy Portfolio, which awarded it the Gold and the Platinum Best Toy Award Seals. The mini also was named 'Best Pre-School Scooter' by Toy Report. What makes the mini fun and unique is its 'lean-and-steer' design which allows children to use their body weight to control the steering, giving kids the feeling of 'surfing' the sidewalk, as they curve from right to left, almost like a skateboard. The lean-and-steer adds an element of fun and control that young children love. The mini's 3 wheels provide greater stability. The wheels are Italian-made of highest quality PU, which creates a wonderfully smooth glide. The wheels also make for a quiet ride, a joy for parents and children alike and since they don't leave black marks on the floor, the mini can be ridden inside. The kickboard is low-to-the-ground and large enough for both feet, making it easy for young children to hop on and off and to switch from pushing, to just enjoying the ride. The 'spoon' brake at the back adds additional control, and kids like it because its just like the 'big kid' scooters. For parents, the mini scooter's light weight (only 3.3lbs), means it's easy to pick up and carry when need be. The mini scooter helps young children to develop their balance, co-ordination and motor skills. The mini scooter is designed with a weight recommendation of 60lbs. Please note that the scooter displays a weight limit of 20kg (44 lbs). The reason for the discrepancy is that European standards dictate that weights are approved in increments of 10 kg (22lbs), so the next available weight category of 30 kg, or 66 lbs, would have put the displayed recommended weight limit OVER its actual recommendation of 60 lbs. The mini is a great mode of mobility for young kids! Available in blue, pink, orange and aqua.

Explicit Version. P!nk comes right on time in 2008 with her highly anticipated and provocatively personal Funhouse album, addressing both her public and private persona, as only P!nk can. Teaming once again with hitmakers Max Martin, Billy Mann, and others, P!nk is poised to leave another memorable mark worldwide! Since her debut in 2000, P!nk (Alecia Moore) has been widely hailed as a fearlessly talented singer, songwriter and the Pennsylvania native's genre-defying creative risk-taking has propelled her to global stardom. To date, the chanteuse has sold 22 million albums cumulatively worldwide. 12 tracks.

Original Release Date: November 30, 1979 Track Listing: Disc: 1 1. In The Flesh? 2. The Thin Ice 3. Another Brick In The Wall, Part 1 4. The Happiest Days Of Our Lives 5. Another Brick In The Wall, Part 2 6. Mother 7. Goodbye Blue Sky 8. Empty Spaces 9. Young Lust 10. One Of My Turns 11. Don't Leave Me Now 12. Another Brick In The Wall (Part III) 13. Goodbye Cruel World Disc: 2 1. Hey You 2. Is There Anybody Out There? 3. Nobody Home 4. Vera 5. Bring the Boys Back Home 6. Comfortably Numb 7. The Show Must Go On 8. In The Flesh 9. Run Like Hell 10. Waiting For The Worms 11. Stop 12. The Trial 13. Outside The Wall

The Wall is less a collection of songs than a single work, which is sometimes frustrating; the plot lacks enough coherence to hold the snippets of music together. However, there are occasional flashes of brilliance on what ranks as Pink Floyd's most ambitious project. Most of these come from the fully developed songs, which have become classics in their own right. "Hey You," "Mother," and especially "Comfortably Numb" are subtle, incredible pieces of music. Though complex, they move at a relaxed pace, allowing the listener to absorb them slowly; this kind of pacing was something Pink Floyd excelled at. Also worth noting is the "Another Brick in the Wall/The Happiest Days of Our Lives" medley, which has become a staple of rock radio. --Genevieve Williams

Movie DVD

At long last Pink Floyd: Pulse has arrived on DVD, and Floyd fans already know it's a major cause to celebrate. The original VHS release was a milestone bestseller, but it seemed to take forever for the DVD to arrive, with numerous delays while Floyd guitarist David Gilmour and long-time Floyd producer James Guthrie labored to restore, re-edit, and remix this legendary concert video in 5.1-channel Dolby Surround Sound. The resulting two-disc set was well worth the wait: While the limitations of the original video source are still evident in the sometimes-hazy image quality (Gilmour would later admit the concert should have been captured on film), Floyd fans will unanimously agree that Pulse has never looked or sounded better, and only the absence of group co-founder Roger Waters prevents this from being the ultimate document of Pink Floyd in performance. (Even without Waters, it's easily one of the group's most impressive stage productions.) Gracefully directed with minimal intrusion by veteran music video and concert director David Mallet, and shot on video during Pink Floyd's two-week stint at London's Earls Court Exhibition Centre in October 1994, this 145-minute performance (from Floyd's Division Bell tour) is a sonic marvel to behold. Under a massive arch festooned with then-state-of-the-art laser, lighting, and projection systems, the 1987 incarnation of Pink Floyd (Gilmour, keyboardist Richard Wright, and drummer Nick Mason) and their stellar supporting band kicks off with "Shine on You Crazy Diamond" (a loving tribute to Floyd co-founder Syd Barrett), followed by four tracks from The Division Bell, two from 1987's A Momentary Lapse of Reason, "Another Brick in the Wall (Part 2)" from 1979's magnum opus The Wall, and leading into intermission with an absolutely stunning performance of "One of These Days," the timeless opening track from 1971's Meddle. The centerpiece of Disc 2 is a near-perfect performance of 1974's Dark Side of the Moon in its entirety--reason enough to make this a must-have DVD for even the most casual Floyd admirers. And while no one will ever re-create the sheer magnificence of Clare Torry's original tour de force vocals on "The Great Gig in the Sky," it's safe to say that backup singers Sam Brown, Claudia Fontaine, and Durga McBroom deliver the next best thing, in addition to seamless contributions throughout the concert. After the closing heartbeat of "Eclipse," the concert ends with encore performances of "Wish You Were Here," "Comfortably Numb," and a no-holds-barred, pyrotechnically explosive rendition of The Wall's "Run Like Hell," all showcasing Gilmour's guitar mastery with frequent close-ups of his picking and fret-work as seen throughout the concert. (Like Gilmour, Mason and Wright were never dynamic onstage, and that's true here as well, but their technical precision is fully evident, and while guitarist Tim Renwick and saxophonist Dick Parry are each given moments to shine, bassist Guy Pratt is a worthy substitution for Waters, especially when vocally sparring with Gilmour on "Run Like Hell.") With beautiful packaging, an 8-page booklet, and menu designs by long-time Floyd associate Storm Thorgerson, the DVDs offer an abundance of bonus features including "Bootlegging the Bootleggers," featuring surprisingly good-quality "boot" video performances of "What Do You Want From Me?," "On the Turning Away," "Poles Apart," and "Marooned." The surreal round-ratio screen films seen throughout the concert can all be viewed independently (still in round format, and several offered in both original and alternate versions). Music videos for "Learning to Fly" and "Take It Back" are included on Disc 1, along with "Tour Stuff" including maps, itineraries, and stage plans for the 1994 tour. "Say Goodbye to Life as We Know It" is a playful backstage video (mostly involving the production staff's ongoing quest for a good pint of beer), and after delivering a heartfelt introduction to Pink Floyd's 1996 induction into the Rock and Roll Hall of Fame (with Roger Waters and Syd Barrett acknowledged by Gilmour), Smashing Pumpkins leader Billy Corgan joins Gilmour and Wright for a moving acoustic performance of "Wish You Were Here" (directed at Waters, perhaps?). Additional features include album cover art, a photo gallery, and the concert-only audio choice between a 448kbps audio bitstream or a higher-quality 640kbps stream for higher-quality DVD players. The system set-up feature ensures that audiophiles will achieve optimum speaker performance in keeping with Pink Floyd's exacting technical standards. In tandem with the superior concert presentation, these features make Pulse one of the best--if not the best--music DVDs of 2006, guaranteed to satisfy Floyd fans for many years to come. --Jeff Shannon More from Pink Floyd and David Gilmour Pulse (CD) Is There Anybody Out There?/The Wall Live Pink Floyd 1980-81 Pink Floyd--The Wall 25th Anniversary (DVD) The Division Bell, Pink Floyd Delicate Sound of Thunder, Pink Floyd A Momentary Lapse of Reason, Pink Floyd Live 8 on DVD--Featuring Pink Floyd Pink Floyd--Live at Pompeii (Director's Cut) (DVD), Pink Floyd On an Island, David Gilmour

Clint Eastwood plays a bounty hunter who helps out the wife (Bernadette Peters) of a bail-jumper after her child is kidnapped by neo-Nazi types. A long, entirely forgettable comedy with an uneven tone, this is purely for diehard fans of Eastwood's erratic work before Unforgiven bumped him up to the A list. Better Eastwood choices from around the same time as this film (1989) include Tightrope, The Dead Pool, and White Hunter, Black Heart. Little known at the time, Jim Carrey has a small part in this throwaway Eastwood film (directed by Eastwood's sometime-collaborator, Buddy Van Horn). --Tom Keogh

America's Sweethearts is just the kind of romantic froth that makes for pleasant viewing on a lazy, rainy day. While Julia Roberts, John Cusack, and Catherine Zeta-Jones offer high-wattage marquee value, costar and cowriter Billy Crystal reworks Singin' in the Rain for latter-day Hollywood, where estranged superstars Gwen (Zeta-Jones) and Eddie (Cusack) reluctantly promote their latest movie by pretending their messily disputed relationship is still going strong. The studio chief (Stanley Tucci) is desperate for a hit, so he hires a seasoned publicist (Crystal) to orchestrate a press junket that will cast everyone in a profitable light. The catch: The director (Christopher Walken) has abducted his own film in an act of artistic extortion, and Gwen's sister and longtime assistant Kiki (Roberts) is the true object of Eddie's desire. Chaos ensues at the luxury hotel where the junket is scheduled, and America's Sweethearts pokes easy fun at the cynical machinery that keeps Hollywood running. Quotable quips are delivered in abundance, and while Zeta-Jones is readily convincing as a bitchy narcissist, Roberts effortlessly steals the show with her trademark charms. All of which makes America's Sweethearts lightly entertaining, even though it never rises (like Roberts's earlier Notting Hill) to the level of classic romantic comedy, hampered by a script that too often substitutes easy laughs for ripe satirical invention, flashing a phony grin when it should be baring its fangs. --Jeff Shannon

Allows TSA screeners to inspect and relock baggage without damaging the lock. Bright, neon colors (green, orange, pink, purple) help with luggage identification. 3 dial, set-your-own combination convenience. 1-3/8" (35mm) wide covered brass lock body. 1/8" diameter shackle and 17/32" horizontal shackle clearance.

Keep luggage securely locked and easily accessible with this 2-pack of combination locks from Master Lock. This set includes two locks each in one of four distinguishable neon colors: green, orange, pink, and purple (customers cannot select the colors). The locks let you set your own easy-to-remember combination so you're not left scratching your head at airport security. Approved by the Transportation Security Administration, the locks are easily opened by TSA screeners for inspection. --Brian D. Olson