Bijou Apparel

Features and Benefits: 3 guide rods Specially formulated honing oil Knife clamp with angle selector Coarse, medium and fine honing stones all mounted on exclusive color coded, finger-grooved holders to protect fingers. Custom molded carrying case

say good day to these bright dish towels. With one towel for every day of the week. Measures 18 by 28-inch.

A festival of vibrant color. These pear-shaped hurricane glasses were designed especially for frozen drinks and blended cocktails, and make great party favors for Mardi Gras blowouts, Margarita Parties, and Luau party. Color assortment includes orange, yellow, green,purple, pink, and blue.

If the American pop culture profile of French composer-jazz pianist Michel Legrand doesn't seem what it once was, don't be misled: his European indie film scores continue six decades on, now numbering nearly 200. But Legrand's most beloved work remains the lovely, evocative themes he created in the '60s and '70s, including "I Will Wait for You" from The Umbrellas of Cherbourg, The Thomas Crown Affair's "Windmills of Your Mind," the theme from Summer of '42, and his work on Barbra Streisand's Yentl. This collection marks Legrand's first solo piano recordings, presenting those and other film score highlights in spontaneously improvised performances that offer a glimpse of Legrand's musical soul. If, as in "Windmills," his enthusiasm gets the best of him and he occasionally lapses into flights of melodramatic pianistic self-parody, there are more than enough sublime moments here to compensate, especially on lesser-known songs like Best Friends' "How Do You Keep the Music Playing?," "What Are You Doing the Rest of Your Life?" from The Happy Ending, and Brian's Song's "Hands of Time." --Jerry McCulley

Despite global warming, Vivaldi's The Four Seasons is more popular than ever. But it still seems strange that Gidon Kremer and his Kremerata Baltica ensemble--a group that continues to stun us with riveting performances of lesser-heard works--would tackle the tried-and-true baroque masterpiece. Luckily, Kremer inventively separates each Vivaldi season with a corresponding composition from Astor Piazzolla's Four Seasons Suite, making for fascinating comparisons. Kremer's performances of the Vivaldi are remarkable, sounding solid and fresh. And like an infectious Broadway musical, Piazzolla's seasons always seem on the verge of a giddy dance number. Kremer really gets to show off on these tango-inspired pieces, but he's charming throughout. The programming probably won't make this your reference Four Seasons, but for those who love their Vivaldi in small doses or fans of Kremer's Tango Ballet disc, this is a must-have. --Jason Verlinde

Millions have experienced the music of Jon Foreman through the multi-platinum success of his internationally-renowned band, Switchfoot. Jon returns to his indie-scene roots by releasing four solo EPs

Actually, this comedy is one of the more enjoyable films to examine midlife crisis in the 1980s. Written and directed by Alan Alda, it examines the effects of middle age on a group of married couples who are longtime friends. Each season they go away on a vacation together, but the dynamic gets skewed when one of the men dumps his wife for a younger woman. Though some may find the characters' self-satisfaction and upscale neuroses a shade cloying, they are more than matched by Alda's solid, often funny writing. The couple with the biggest laughs: the hilariously paired Jack Weston and Rita Moreno (although Alda and Carol Burnett also strike comic sparks).

Spring, Summer. From the Oscar-winning writer of "Four Weddings and a Funeral" and "Notting Hill." Alice and Hugo's baby is about to be christened Geraldine, and as a drought hits the village, the council members begin a desperate letter-writing campaign.

Working miracles with only a single set and a handful of characters, Korean director Kim Ki-Duk creates a wise little gem of a movie. As the title suggests, the action takes place in five distinct episodes, but sometimes many years separate the seasons. The setting is a floating monastery in a pristine mountain lake, where an elderly monk teaches a boy the lessons of life--although when the boy grows to manhood, he inevitably must learn a few hard lessons for himself. By the time the story reaches its final sections, you realize you have witnessed the arc of existence--not one person's life, but everyone's. It's as enchanting as a Buddhist fable, but it's not precious; Kim (maker of the notorious The Isle) consistently surprises you with a sex scene or an explosion of black comedy; he also vividly acts in the Winter segment, when the lake around the monastery eerily freezes. --Robert Horton